Everytime I start writing comics, I always think back to 1986, a good ole' 19 years ago, when I created a character named Ardy. I was eight years old, but I always liked to draw, paint and just make a mess, but one day I created this yellow creature with very Garfieldesque eyes, and two strands of hair on his head. His nose was round, and he looked really silly, but then, back in the day, I couldn't draw a real face, so I drew this character, with Three fingers and a thumb on both hands, and big feet. He didn't have big muscles until I got to junior highschool, when I hooked up with a couple buddies, Jeremy Phillips, Anthony Seymour, and a couple others, and it was all about Illusion Comics, then Comix, then I changed it to Illusion Studios, because I liked the sound of it more.
This is what was weird. Jeremy and Anthony loved a beefed up Ardy character with a larger nose, so they started doing loose-leaf comics of him, and about 50 to 75 other characters. Every so often they'd even pull an old Rob Liefeld trick of copying some of our favorite scenes out of books to really spice up the storytelling.
About 1992, I decided that since Ardy was my character, I was going to do something that they were cool with, and that was take over the ARDY "monthly" series and write and draw it myself. I went 25 issues, creating silly things like special covers with holes in them, glow in the dark ink and much more. It was always fun, because it was my character doing all his crazy antics, but it wasn't well written, and it wasn't well drawn, but it was fun, and probably the most popular of our books, because they got passed around to everyone.
In late 1992, I found out I was going to be moving to North Carolina with my folks, and had just a few months prior, talked up a deal with a company 5th Panel Comics, and created a comic called CITY OF ILLUSION. It went one issue, and although never officially cancelled, Jeremy, who drew the first issue, and I lost touch, only talking once in a blue moon, and the series just couldn't continue.
In 1993, I took Ardy with me to another company, Super Crew Comics, and Chris Crosby, a name that would become synonimous with my comics career, scary enough. Funny that a couple 16 year old kids would be so ambitious. Chris would have me write a one page Ardy piece every so often, though I don't think any of them ever saw print.
In 1995, (I think, I'm losing time somewhere I'm sure) Chris came up with this idea for a character named Scorn, and talked Milton Teruel into drawing it for him. I got tapped to write 28 pages in 7 days for him, and that is what actually became SCORN: DEADLY REBELLION the issue after. I got 5% of the profits the book made, got my name up there on the cover, and ultimately, my only stipulation was, as long as I write Scorn, I get to write a backup Ardy story. It became known as CITY THAT NEVER SLEEPS and was based in Las Vegas. Two parts were published and it made me realize that a true talent like Timothy Johnson was one that was just too good for this kind of storytelling.
I remember writing the story in a way I've not written since...with nothing but spoken words from the characters and possibly from thought balloons. No artist I've worked with has ever been able to read it and just go from there. I've recently told Tim I want to reletter and rerelease CTNS as a oneshot, and he asked to have his name taken off it. Why? I'm hoping he's not ashamed of it, but hoping more so for the fact that like many artists, he'd only see how far his art has moved forward since then.
Anyways, this is about how Ardy has so much history. Ardy has made appearances in Spider-man (Sensational Spider-Man #21), Major Bummer (#6) and even had his name written across the wall in Uncanny X-Men #346 (the Spider-man / Marrow issue). Bill Maus, Tom Nguyen, Mike Weiringo, and others have talked about how fun he is to draw, and how imaginative of a character he is. Javier Saltares was going to draw a sketch of him for me once, only to have me not return to the convention (DAMMIT!) to have it done.
But Ardy finally got his day in color on FCBD 2, as LANDIS #0 shipped, again, published by Chris Crosby and Keenspot under the name A-Bomb. 22000 copies printed and shipped, and Ardy, although not the star, definitely made his way into the script and got larger and larger in terms of his role by the end...why? Because he's always been the star, and like Robert DeNiro in ANY supporting role...he just takes over...and he still does today.
Ardy's Spring Break story will be told...even if I have to tie JK Radtke up and only leave his hand out to draw. I'm tired of writing, so I'm going to bounce.